Program
Program / Programa / Programm
26.09.2024
Salón de Grados de la Facultad de Filología, Edificio A
9:00-9:30 — Reception / Recepción / Ankommen
Facultad de Filología, Edificio A
9:30-10:00 — Conference opening / Inauguración / Eröffnung
10:00-11:00 — Keynote Anita Traninger (Freie Universität Berlin)
Literarisches Recycling: Netzwerkanalyse digital und analog / Reciclaje literario: Análisis de redes, digital y analógico
Chair: Miriam Llamas Ubieto
11:00-11:15 — Break / Pausa / Pause
11:15-13:15 — Panel 1
Chair: Laura Sánchez
Silvia Ulrich (Università di Torino)
Recycling Paul Celan: Transnational, Translational and Translitteral Reuse in Yoko Tawada’s Novel Paul Celan und der chinesische Engel (2020)
Maria Festa (Università di Torino)
From Blog writing to Print Media: Texts as Forms of Cultural Recycling
Carmen Concilio (Università di Torino)
World Literature Authors engaged with (post)digital
Virginia Pignagnoli (Università di Torino)
Expansive Beginnings and No Endings in Sight: On the Narrativization of Post-Postmodernist Fiction on Social Media
13:15-15:30 — Break / Pausa / Pause
15:30-17:00 — Panel 2
Chair: María José Calvo
Soenke Zehler / Sónia Alves (xm:lab – Experimental Media Lab; Academy of Fine Arts Saar; Saarbrücken)
Expressive Automation: From Generative Aesthetics to Regenerative Systems
Jan Derksen (Institut für Deutsche Literatur, Humboldt-Universität zu Berlin)
Appropriation, Uncreative Writing und Schreibpraktiken des Digitalen in ausgewählten Texten des Literaturkollektivs 0x0a
Miriam Llamas Ubieto (Universidad Complutense de Madrid)
Postdigitales Recycling in aktueller generativer Literatur: eine Einladung zur Reflexion [Postdigital Recycling in Contemporary Generative Literature: An Invitation for Reflection]
17:00-17:15 — Break / Pausa / Pause
17:15-18:15 — Panel 3
Chair: María Goicoechea de Jorge
María Morrás / Simone Ventura [M. Morrás (Universitat Pompeu Fabra/Academia Fellow, University of Oxford) / S. Ventura (Universitat Pompeu Fabra/Beatriz Galindo Senior Researcher, King’s College, University of London)
A Neverending Story: Building up a Virtuos Cycle for Medieval Texts in the Digital Age
Mustafa Özağaç (Istanbul Üniversitesi)
Reinventing Literature in the Digital Age: Anatomy of an Ideal Literature Application
27.09.2024
Salón de Grados de la Facultad de Filología, Edificio A
9:30-10:30 — Keynote Rabea Kleymann (Technische Universität Chemnitz)
Zwischen Hermeneutik und Statistik: Interferenzen epistemischer Praktiken in den Digital Humanities / Entre hermenéutica y estadística: interferencias de prácticas epistémicas en las Humanidades Digitales
Chair: Amelia Sanz
10:30-10:45 — Break / Pausa / Pause
10:45-12:15 — Panel 4
Chair: Silviano Carrasco
Teresa Numerico (Università degli studi Roma Tre)
Notes on the mythology of digital content self-interpretation
Amelia Sanz (Universidad Complutense de Madrid)
Asking to the last Digital Humanities International Conferences: Is there a Theoretical Foundation in this Contribution?
Hanno Biber (Österreichische Akademie der Wissenschaften, Austrian Centre for Digital Humanities and Cultural Heritage, Literary and Textual Studies Research Unit, Vienna)
Having words but not finding the word. Methodological Implications of Doing Digital Literary Studies with Text Corpora
12:15-12:30— Break / Pausa / Pause
12:30-13:30 — Panel 5
Chair: Johanna Vollmeyer
Susanne Schlünder / Philip Hillebrand (Universität Osnabrück, Institut für Romanistik)
Das 18. Jahrhundert in transatlantisch-postdigitaler Lektüre
Alexa Lucke (Universität Bielefeld, Fakultät für Linguistik und Literaturwissenschaft)
Multiple Verzerrungseffekte von digitaler Literaturgeschichtsschreibung?
13:30-15:15 — Break / Pausa / Pause
15:15-16:15 — Panel 6
Chair: Juan Antonio Latorre
Laura Untner (Universität Wien, Department of Comparative Literature / Österreichische Akademie der Wissenschaften, Austrian Centre for Digital Humanities and Cultural Heritage)
Linked Data for reception studies: Making the literary reception of Sappho machine-readable
Joana Roqué Pesquer (ERC Starting Grant project COLLAB / Katholieke Universiteit te Leuven, Department of Translation Studies)
A Qualitative Approach to Social Network Analysis: Mapping Contemporary Literary Circulation in the Postdigital and Migration Era
16:15-16:30— Break / Pausa / Pause
16:30-17:30 — Panel 7
Chair: Miriam Llamas Ubieto
Bruno Ministro (Institute for Comparative Literature, Universidade do Porto)
Literary Recycling as Post-Literary Re-Reading
Diogo Marques / Inês Cardoso [D. Marques (CODA – Centre for Digital Culture and Innovation, Universidade do Porto/Institute for Comparative Literature Margarida Losa (ILCML)) / I. Cardoso (Institute for Comparative Literature Margarida Losa (ILCML), Universidade do Porto)]
FAMILY PORTRAIT[S]: a plagiotropic retextualization of António Aragão
17:30-17:45 — Closing remarks / Cierre / Verabschiedung und Ausblick
Salón de Grados de la Facultad de Filología, Edificio A
Coordinators / Coordinadoras / Koordinatorinnen: Miriam Llamas, Amelia Sanz
Secretary / Secretaria / Sekretärin: Irene Pérez
- Scientific Committee / Comité Científico / Wissenschaftlicher Ausschuss: Tina Escaja (The University of Vermont), Alckmar Luiz dos Santos (Universidade Federal de Santa Catarina), Teresa Numerico (Università degli studi Roma Tre), Manuel Portela (University of Coimbra), Johanna Vollmeyer (Universidad Complutense de Madrid)
- Sponsored by: Embajada de Alemania en Madrid, Universidad Complutense de Madrid, Departamento de Filología Alemana y Filología Eslava de la UCM