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Workshop on the philosophy of music: authorship, ontology and interpretation.

 

 

Friday, 28th February 2025, 16:00

Seminario 30, Edificio A

Faculty of Philosophy – Universidad Complutense de Madrid

 

Program

 

16:00–16:45. Clelia Repetto (University of Turin). ‘Abstract types or perduring entities? An investigation of the desiderata behind two prominent solutions in musical ontology’.

16:45–17:30. Sergio Añón Lijó (UCM). ‘Some Problems in the Debates on the Ontology of Music’.

17:30–18:00. Coffee break.

18:00–18:45. Maxim Pérez Écija (UCM). 'Tensiones entre una aproximación hermenéutica y no hermenéutica a la música contemporánea'.

18:45–19:30. Ramón Carnota Méndez (UNED).‘Score Interpretation in Musical Work-Performance Practice’.

19:30–19:45. Break.

19:45–20:30. Nemesio G. C. Puy (UCM). ‘Structural universals, types and the problem of musical authorship’.

 

Organizers: Nemesio G. C. Puy, Departamento de Filosofía y Sociedad, ESCON, ICCMU; Paloma Atencia Linares (UNED).

This activity is part of the I+D projects The grounds of artistic rights and the limits of appropriation (PID2023- 147445NA-I00) funded by MCIN/AEI/10.13039/501100011033/ FEDER, UE, y Espacios, géneros y públicos de la música en Madrid (MadMusic CM, PHS-2024 PH-HUM-194) funded by Comunidad de Madrid en la modalidad de Procesos Humanos y Sociales.