PRINCIPAL INVESTIGATORS (IPs) OF THE PROJECT

PALOMA ATENCIA LINARES

 

Paloma Atencia-Linares is an Associate Professor in the Department of Logic, History, and Philosophy of Science at UNED. Her research focuses on the intersection of the philosophy of mind and aesthetics, with a focus on the nature of photographic representation and the concepts of fiction and authenticity in the visual arts. She has also delved into the normativity and authenticity of Culinary Practices, problems of authenticity and appropriation of autochthonous crafts and immersion in narrative works. Since 2019, she has been the Co-editor in Chief of the British Journal of Aesthetics; from 2016 til 2020 she was member of the editorial board of Crítica, Revista Hispanoamericana de Filosofía, and has reviewed for various journals including Mind, Ergo, European Journal of Philosophy, Journal of Aesthetics and Art Criticism. Her involvement extends to being a trustee of the British Society of Aesthetics, co- chair of the Diversity Committee of the American Society for Aesthetics, and co-organizer of the London Aesthetics Forum. Invitations to lecture at major forums in the field and universities worldwide, including Helsinki, Freiburg, Bayreuth, Tübingen, Uppsala, London, Reading, Dartmouth, Barcelona, and Valencia, underscore her prominence. She has organized outreach events in collaboration with prestigious institutions like the British Museum, Victoria & Albert Museum, and the Turner Contemporary Margate. Collaborating with the Fundación Juan March, she is involved in developing an educational program on curatorial practices and has taught a course at Christie's auction house in London.

Selected publications:

Paloma Atencia-Linares (forthcoming) "How to Understand Fiction in Photography" en Art & Philosophy: New Essays at the Intersection. King, A. Ed. Oxford University Press. 

Paloma Atencia-Linares y Miguel Ángel Sebastián (2023) "Narrative Immersion as an Attentional Phenomenon" Inquiry,  https://doi.org/10.1080/0020174X.2023.2253857  

Paloma Atencia-Linares y Miguel Ángel Sebastián. (2023) "Debates on Culinary Norms" en el Journal of Aesthetics and Art Criticism. https://doi.org/10.1093/jaac/kpad039 

Paloma Atencia-Linares y Marc Artiga (2022) "Deepfakes, shallow epistemic graves: On the epistemic robustness of photography and videos in the era of deepfakes" Synthèse 200 (6), 518

Paloma Atencia Linares (2021) “Fiction, Fictionality and Pictures” en Art, Representation and Make-Believe, Essays on the Philosophy of Kendall Walton. Ed. Sedivy, Sonia. Routledge, pp. 230-246.

Website:  https://www.uned.es/universidad/docentes/filosofia/paloma-atencia-linares.html#docencia

NEMESIO GARCÍA-CARRIL PUY

 

Nemesio G. C. Puy (Lisbon, 1987) is a Ramón y Cajal postdoctoral fellow at the Faculty of Philosophy of the Complutense University of Madrid, the main coordinator of the European Network for the Philosophy of Music and a member of the Complutense Institute for Musical Sciences. His main interests are in the philosophy of music, aesthetics, ontology and metaontology, specially focusing on the phenomenon of musical versions, authenticity, creativity and interpretation. His outputs have been published in top academic journals like Philosophical Studies, the Australasian Journal of Philosophy, the Philosophical Quarterly, the Journal of Aesthetics and Art Criticism, Synthese, or Philosophical Psychology, and awarded with the John Fisher Prize by the American Society for Aesthetics (2019) and with the Fabian Dorsch Prize by the European Society for Aesthetics (2021). Nemesio has also developed a parallel career as a French horn player, having recorded 6 albums of classical and popular music, and has performed with several orchestras, like the Malaga Symphony Orchestra, Granada City Orchestra, BTT Badenwailer and Cambridge University Symphony Orchestra. With the Proemium Metals Brass Quintet he has been awarded with Second Prize of the Burke & Bagley Competition (USA 2017), the first prize of the Mediterranean Brass Music Festival Competition (Spain 2013), and has been finalist of the Jan Koetsier Competition (Music Conservatory of Munich and Bavarian Radio Orchestra) in 2014 and 2016, respectively.

Research Team Members

 

Carmen González Castro – Universidad Complutense de Madrid, Facultad de Bellas Artes.

Leopoldo La Rubia de Prado – Universidad de Granada, Departamento de Filosofía I.

 

Working Team Members