All publications
In the last fifteen years, members have authored the following publications:
Isabel Durán Giménez-Rico
Durán, Isabel. “The Violent ‘Trojan Horse’: a Comparative, Transnational Reading of Two Paralysis Narratives”. The European Journal of Life Writing. Vol. 13, 2024, pp. 7-32. DOI: 10.21827/ejlw.13.41314
Durán, Isabel. “Hemos ido a redimir al redentor’: the Old ‘Paleto’ as Mentor in Miguel Delibes’ El disputado voto del Señor Cayo”. Bulletin of Spanish Studies: Hispanic Studies and Researches on Spain, Portugal and Latin America. vol 99, n. 4, 2022, pp. 1-20. DOI: 10.1080/14753820.2022.2096283
Durán, Isabel. “Del feminismo y sus versiones en el ámbito angloamericano”. Tropelías, Revista de Teoría de la Literatura y Literatura Comparada. n. 36, 2021, pp. 69-85. DOI: 10.26754/ojs_tropelias/tropelias.2021365307
Durán, Isabel. “What Is the ‘Transnational Turn’ in American Literary Studies? A Critical Overview.” ATLANTIS, vol. 42, n. 2, 2020, pp. 138-159. DOI: 10.28914/Atlantis-2020-42.2.07
Durán, Isabel. “Life As Role-Play: Ilan Stavans, The Life(Long) Writer.” Stavans Unbound: The Critic between Two Canons, edited by Bridget Kevane, Academic Studies Press, 2019, pp. 7-18. DOI: 10.1515/9781644690079-004
Durán, Isabel. “Transnationalism, Autobiography and Criticism: the Spaces of Women’s Imagination.” The Routledge Companion to Transnational American Studies, edited by Nina Morgan, Alfred Hornung and Takayuki Tatsumi. Routledge, 2019, pp. 202-2013. DOI: 10.4324/9781315163932-19
Durán, Isabel. "Siri Hustvedt: La escritora científica que mira a hombres y mujeres.” The Conversation, mayo, 2019.
Durán, Isabel, Rebeca Gualberto, Eusebio de Lorenzo, Carmen Méndez, Eduardo Valls (eds.). A Critical Gaze from the Old World: Transatlantic Perspectives on American Studies. Peter Lang, 2018.
Durán, Isabel. “Between Molds and Models: Female identities in Almudena Grandes and Roberta Fernández.” Symbolism 17: Latina/o Literature: The Trans-Atlantic and the Trans-American in Dialogue, edited by Ahrens, Rüdiger / Kläger, Florian / Stierstorfer, Klaus, in coop. with García, Patricia M. / González, John Morán, De Gruyter, 2017, pp. 143-167. DOI: 10.1515/9783110532913-009
Dúran, Isabel. “Latina/o Life Writing: Autobiography, Memoir, Testimonio’. The Cambridge Companion to Latina/o American Literature, edited by John Moran, Cambridge UP, 2016, pp. 147–160. DOI: 10.1017/CBO9781107045385.011
Durán, Isabel, Noelia Hernando, Carmen Méndez, Joanne Neff, Ana-Laura Rodríguez and Rebeca Gualberto (eds.) Estudios de género: visiones transatlánticas. Fundamentos, 2016.
Durán, Isabel. “Latino Autobiography, the Aesthetic, and Political Criticism: the Case of Hunger of Memory.” Journal of Transnational American Studies, vol. 6 n. 1, 2015, n.p. DOI: 10.5070/T861025866
Durán, Isabel. “Ethics and Aesthetics: A Conversation with Ilan Stavans,” Camino Real. Estudios de las Hispanidades Norteamericanas, vol. 6, no. 9, 2014, pp. 145-161.
Durán, Isabel. “Patrimony, Solitude and Obligation: Prodigal Sons and Absent Fathers.” The European Journal of Life Writing, vol. III, 2014, pp. VC75–VC99. DOI: 10.5463/ejlw.3.89
Durán, Isabel. “Virginia Woolf La dureza del granito, la misteriosa evanescencia del arco iris.” CLAVES de Razón Práctica, nº 237, noviembre/diciembre 2014.
Durán, Isabel. “American Studies in Spain.” Encyclopedia of American Studies, edited by Simon J. Bronner, Johns Hopkins University Press, 2014.
Durán, Isabel, Noelia Hernando, Carmen Méndez, Joanne Neff, Ana-Laura Rodríguez (eds.). En torno a espacios y género / Negotiating Gendered Spaces. Fundamentos, 2013.
Durán, Isabel. “From Ancestral Land to Urban Site in Chicana/o Literature.” En torno a espacios y género / Negotiating Gendered Spaces, edited by Durán, Isabel, Noelia Hernando, Carmen Méndez, Joanne Neff, Ana-Laura Rodríguez, Fundamentos, 2013, pp. 193-204.
Durán, Isabel. “La poesía en la América Puritana y Revolucionaria.” Historia Crítica de la Poesía Norteamericana, edited by José Antonio Gurpegui, Benjamin Franklin, 2013, pp.17-48.
Durán, Isabel. “A Transatlantic Approach to Chicano Life Writing.” Interculturalism in North America: Canada, United States, Mexico, and Beyond, edited by Joseph Raab and Alexander Greiffenstern, Wissenschaftlicher Verlag Trier & Tempe/ Bilingual Press, 2013, pp. 133-54.
Durán, Isabel, R.G. Rayego y J Neff. “Presentación: Dossier monográfico: Espacios generizados..” Estudios Feministas, vol 3, 2012, pp.1-6.
Gurpegui, José Antonio y Isabel Durán (eds.). The Backyard of the US Mansion. Biblioteca Benjamin Franklin, 2012.
Durán, Isabel y R.G Rayego (coords.). Espacios Generizados. Dossier monográfico de Estudios Feministas, vol 3, 2012.
Durán, Isabel, Carmen Méndez, Jaime de Salas (eds.). Miradas Transatlánticas: Intercambios culturales entre Estados Unidos y Europa/ Transatlantic Vistas: Cultural Exchanges between the USA and Europe. Fundamentos, 2011.
Antón Pacheco, Ana, Durán, Isabel, et al. (eds.). Diferencia, (Des)Igualdad Y Justicia Differences, (In)Equality And Justice. Fundamentos, 2010.
Carmen M. Méndez García
Méndez García, Carmen M., and Noelia Gregorio-Fernández, eds. Culture Wars and Horror Movies: Social Fears and Ideology in post-2010 Horror Cinema. Palgrave Macmillan, 2024.
Méndez García, Carmen M., and Noelia Gregorio-Fernández, eds. Culture Wars and Horror Movies: Gender Debates in post-2010's US Horror Cinema. Palgrave Macmillan, 2024.
Méndez García, Carmen M. "The (Cyber) Center Cannot Hold": Futures, Bodies and Minds in William Gibson's The Peripheral”, SFRA Review, vol. 50, no. 4, 2020, pp 77-84.
Méndez García, Carmen M. “Nuevos espacios, nuevos tiempos, nuevos mitos: American Gods de Neil Gaiman”, Herejía y belleza: Revista de estudios culturales sobre el movimiento gótico, vol. 9, 2020, pp. 9-18.
Méndez García, Carmen M. “Accepting the X: Uncanny Encounters with Nature and the Wilderness in Jeff Vandermeer’s The Southern Reach Trilogy.” Avenging Nature: The Role of Nature in Modern and Contemporary Art and Literature, edited by Eduardo Valls, Rebeca Gualberto, et al, Lexington Books, 2020.
Méndez García, Carmen M., “Tres días de paz, música y amor: el festival de Woodstock en la imaginación contemporánea.” Huellas: Revista de la Universidad del Norte, vol. 105, 2019, pp. 46–53.
Méndez García, Carmen M. “A Wall of One's Own: Latinas Reclaiming Spaces, Subverting Economies, Empowering Communities.” Ex-centric Narratives: Journal of Anglophone Literature, Culture and Media, vol. 3, 2019, pp. 109–121. DOI: 10.26262/exna.v0i3.7552
Méndez García, Carmen M. “La femme fatale: Del noir clásico a la imaginación contemporánea.” Herejía y belleza: Revista de estudios culturales sobre el movimiento gótico, vol. 7, 2019, pp. 10–19.
Méndez García, Carmen M. “¿Qué estudios? ¿Qué América? La indefinición e inclusividad de los American Studies.” Contrapunto: Revista de Crítica Literaria y Cultural de la Universidad de Alcalá, 3 enero 2019.
Méndez García, Carmen M. “Cartografías del horror: Espacios y vacíos en H. P. Lovecraft.” Herejía y belleza, vol. 6, 2018, pp. 9-23.
Durán Giménez-Rico, Isabel, Eusebio de Lorenzo, Rebeca Gualberto, Carmen M. Méndez García, Eduardo Valls (eds.). A Critical Gaze from the Old World: Transatlantic Perspectives on American Studies. Peter Lang, 2018.
Méndez García, Carmen M., ed. Tradition and (R)evolution: Reframing Latina/o Identities in Contemporary US Culture. Biblioteca Benjamin Franklin, 2018.
Méndez García, Carmen M. “Post-Apocalyptic Curating: Cultural Crises and the Permanence of Art in Emily St. John Mandel’s Station Eleven.” Studies in the Literary Imagination, vol. 50, no. 1, 2017, pp. 111-130. DOI: 10.1353/sli.2017.0000
Méndez García, Carmen M. “Private (Brown) Eyes: Ethnicity, Genre and Gender in Crime Fiction in the Gloria Damasco novels and the Chicanos Comic Series.” Altre Modernità / Other Modernities, vol. 15, 2016, pp. 70–82. DOI: 10.13130/2035-7680/7177
Méndez García, Carmen M. “‘The World Needs Bad Men.’: True Detective and the Reenactment of Heroic Masculinity." Cattivi. Cattivissimi. Cattivi? Sulle tracce di eroi criminali nelle narrazioni di genere, edited by Danielle Croce et al, Mimesis, 2016.
Durán, Isabel, et al, eds. Estudios de género: visiones transatlánticas/ Gender Studies: Transatlantic Visions. Fundamentos, 2016.
Méndez García, Carmen M. “Prólogo.” Tom Wolfe: Cronista de la Norteamérica sin Dios, by Juan F. Trillo, Universidad de Valencia, 2016.
Méndez García, Carmen M. “El universo Star Trek: la elusiva última frontera”. Yo soy más de series: 60 series que cambiaron la historia de la televisión, edited by V. M. Gallardo Barragán. y F. A. Moreno Serrano, Esdrújula, 2015.
Méndez García, Carmen M., "“Carcosa, ahora”: True Detective, la actualización del gótico sureño y la ficción weird.” Herejía y belleza: Revista de estudios culturales sobre el movimiento gótico, vol. 3, 2015, pp. 9-25.
Durán, Isabel, et al, eds. En torno a espacios y género / Negotiating Gendered Spaces. Fundamentos, 2014.
Méndez García, Carmen M. "Historias bajo la lluvia: el videojuego como narración interactiva en Heavy Rain." Entre escritura e imagen: lecturas de narrativa contemporánea, edited by Lourdes Carriedo and Dolores Picazo. Peter Lang, 2014.
Méndez García, Carmen M. “Diseño e implementación de cursos abiertos masivos en línea (MOOC): Expectativas y consideraciones prácticas.” Revista de Educación a Distancia, vol. 39, 2013, pp. 1-19.
Méndez García, Carmen M. "Gótico y espacios suburbanos en la literatura posmoderna estadounidense," Herejía y belleza: Revista de estudios culturales sobre el movimiento gótico, vol. 2, 2013, pp. 115-130.
Méndez García, Carmen M. "This is my place, Mama Nadi’s ”: Feminine Spaces and Identity in Lynn Nottage's Ruined." Investigaciones Feministas, vol 3, 2012, pp. 129-139 ISSN: 2171-6080 2012, vol 3 129-139 DOI. 10.5209/rev_INFE.2012.v3.41141
Durán Giménez-Rico, Isabel, et al, eds. Miradas Transatlánticas: Intercambios culturales entre Estados Unidos y Europa / Transatlantic Vistas: Cultural Exchanges between the USA and Europe, Fundamentos, 2011.
Méndez García, Carmen M., “La huida del Mordor caribeño: el exilio y la diáspora dominicana en The Brief Wondrous Life of Oscar Wao, de Junot Díaz.” Revista de Filología Románica, Anejo VII, 2011, pp. 265-278. DOI: 10.5209/rev_RFRM.2011.38702
Méndez García, Carmen M., “The Complications of the Erotic: Eroticism in Last Tango in Paris and Une liaison pornographique.” El erotismo en la modernidad, edited by Ángel Clemente Escobar y Javier Rivero Grandoso, CERSA, 2011, pp. 289-302.
Méndez García, Carmen M., “The Ultimate Secrecy: Feminist Readings of Masculine Trauma in Vietnam War Literature.” American Secrets: The Politics and Poetics of Secrecy in American Culture, edited by José Liste Noya et al., Farleigh Dickinson University Press, 2011, pp. 37-48.
Méndez García, Carmen M., Núñez García, Silvia, Rodríguez Aranda, Pilar, Mier, Rodrigo, “Speaking desde las heridas y One Wound for Another: una herida por otra: proyecto de cibertestimonios transfrontera.” Norteamérica: revista académica del CISAN-UNAM, vol. 5, no. 1, 2010, pp. 321-344. DOI: 10.22201/cisan.24487228e.2010.01.21
Antón Pacheco, Ana, et al, eds. Diferencia, (des)igualdad y justicia / Differences, (In)Equality and Justice. Fundamentos, 2010.
Noelia Hernando Real
Hernando Real, Noelia. "Vulnerable pero empoderada: Sarah Ruhl y la depresión postparto". Mujeres y poéticas de la salud. Colección Literatura y Mujer. Madrid: UNED. Book chapter, forthcoming 2024.
Hernando Real, Noelia. “Women Bleed in Private / Miscarriage Goes Public: a Postcolonial Response to Social Silence over Miscarriage in Sarah Ruhl’s Writings.” The European Journal of Life Writing, vol. 13, 2024, pp. 55-76. DOI: 10.21827/ejlw.13.41578
Hernando Real, Noelia. “'Those Who Wait, Burn': New Penelopes in Plays by Sarah Ruhl, Suzan-Lori Parks, and Naomi Wallace.” Modern Drama 67.1, 2024, pp. 64-82. DOI: 10.3138/md-67-1-1311.
Hernando Real, Noelia and John Bakl, eds. “Game Over! US American Theatre and Drama and the End(s) of an American Ideal.” Special issue of Revista de Estudios Norteamericanos, v. 27, 2023, pp. 1-6. DOI: 10.12795/REN.2023.i27.8
Hernando Real, Noelia. Review of Three Midwestern Playwrights. How Floyd Dell, Geroge Cram Cook, and Susan Glaspell Transformed American Theatre, by Marcia Noe. Modern Drama 66.4, 2023, pp. 579-582. DOI: 10.3138/md-66-4-rev8
Hernando Real, Noelia. “Introduction to Glaspell’s Recovered Early Fiction.” Susan Glaspell in Context. Ed. J. Ellen Gainor. Cambridge: Cambridge University Press, 2023, 37-39. DOI: 10.1017/9781108767309.008
Hernando Real, Noelia. “Susan Glaspell and Emily Dickinson” Susan Glaspell in Context, edited by J. Ellen Gainor. Cambridge University Press, 2023, 186-193. DOI: 10.1017/9781108767309.008
Hernando Real, Noelia. “Lauren Gunderson’s Theatre and ‘Survival of the Storied.’” The Routledge Anthology of Women‘s Theatre and Drama Theory and Criticism, edited by J. Ellen Gainor and Catherine Burroughs. Routledge, 2023. DOI: 10.4324/9781003006923-77
Hernando Real, Noelia. “The Provincetown Players and the Federal Theatre: The Essay Susan Glaspell Never Wrote.” Federal Theatre Project (1935-39). Contexte & enjeux/Contexts & Issues. Edited by Emeline Jouve and Geraldine Prévot. Paris: Presses de l'Université Paris-Sorbonne, 2023, 299-326.
Hernando Real, Noelia. “Disclosing Burlesque: On the Possibilities of Satire and the (Fe)Male Gaze in Chicago (1926, 1975, 2002)” Revue française d’études américaines 171. Special Issue “Undoing Naked Truths: Nudity on Stage”. Edited by Emeline Jouve and Xavier Lemoine, 2022, 25-39. DOI: 10.3917/rfea.171.0025
Hernando Real, Noelia. Rosas en la arena. Los relatos de Susan Glaspell. Biblioteca Javier Coy d'Estudis Nord-Americans. Valencia: Publicacions Univesitat de València, 2022.
Hernando Real, Noelia. “Susan Glaspell.” Oxford Bibliographies in American Literature. Oxford University Press, 2022. DOI: https://doi.org/10.1017/9781108767309.008
Hernando Real, Noelia. Review of Enemies, by Neith Boyce. Eugene O'Neill Review 43.1, 2022, pp. 102-105.
Hernando Real, Noelia. “Suicide Across the Waves: On the Feminist Possibilities of Dramatic Suicide in Plays by Susan Glaspell, Marsha Norman and Naomi Wallace.” Suicide In Modern Literature Social Causes, Existential Reasons, And Prevention Strategies. Ed. Josefa Ros. Springer, 2022, pp. 33-45. DOI: 10.1007/978-3-030-69392-3_3
Hernando Real, Noelia. “Edson, Margaret”. Diccionario de la recepción teatral en España: Vol. 1. A-K. Ed. Javier Huerta Calvo. Ediciones Antígona, 2020, pp. 283-284.
Hernando Real, Noelia. Review of Lidia Taillefer de Haya (ed.), La causa de las mujeres en Gran Bretaña a través de sus textos. Asparkía, vol. 36, 2020, pp. 119-123. DOI: 10.6035/asparkia.2020.36.8
Hernando Real, Noelia. “Norman, Marsha.” Diccionario de la recepción teatral en España: Vol. 2. L-Z. Ed. Javier Huerta Calvo. Madrid: Ediciones Antígona, 2020, pp. 675-678).
Hernando Real, Noelia. “Vogel, Paula.” Diccionario de la recepción teatral en España: Vol. 2. L-Z. Ed. Javier Huerta Calvo. Madrid: Ediciones Antígona, 2020, pp. 1115-1117.
Hernando Real, Noelia. “On the Page and on the Stage: The Influence of H. D. Thoreau on Susan Glaspell’s Works”. “To live deep and suck all the marrow of life.” The Legacy of Henry David Thoreau, edited by Eulalia Piñero and Laura Arce.Vernon Press, 2020, 25-37.
Chocano Diaz, Gema, Noelia Hernando Real and Ana Ardid Gumiel. On Literature and Grammar: A Selection of Annotated English Medieval and Renaissance Texts for (Spanish) University Students. Ediciones UAM, 2020. DOI: 10.15366/9788483447475.ca.38
Hernando Real, Noelia. “How to Teach Susan Glaspell’s Trifles.” How to Teach a Play: Exercises for the College Classroom, edited by Miriam Chirico and Kelly Younger. Bloomsbury, 2020, pp. 139-141. DOI: 10.5040/9781350017566.ch-039
Hernando Real, Noelia. “Vital Contacts: Dramatic Downclassing in Bosworth Crocker’s Humble Folk.” Revista de Estudios Norteamericanos, vol. 22, 2018, pp. 121-144. DOI: 10.12795/REN.2018.i22.06
Hernando Real, Noelia. “On The Verge of the American Female Gothic: Edgar Allan Poe’s ‘The Fall of the House of Usher’ in Susan Glaspell’s Theater.” A Critical Gaze from the Old World: Transatlantic Perspectives on American Studies, edited by Isabel Durán Giménez-Rico, Rebeca Gualberto Valverde, Eusebio de Lorenzo Gómez, Carmen M. Méndez García, and Eduardo Valls Oyarzun. Peter Lang, 2018, pp. 55-74.
Hernando Real, Noelia. Review of Susan Glaspell’s Poetics and Politics of Rebellion, by Emeline Jouve (Iowa: University of Iowa Press, 2017). Theatre Annual, vol. 71 2018, pp. 85-88.
Hernando Real, Noelia. “An Exorcism on The Outside, or Looking into Trifles – Before Breakfast: Geopathic Crises in the Plays of Eugene O’Neill and Susan Glaspell.” Eugene O’Neill Review, vol. 38.1-2. Special issue “Women in O’Neill,” edited by Judith E. Barlow, 2017, pp. 74-92. DOI: 10.5325/eugeoneirevi.38.1-2.0074
Hernando Real, Noelia. “Breaking Down the Borders of Memory: The Transatlantic Politics of Metatheatre in Sarah Ruhl’s Passion Play.” Les Cahiers de Framespa. Special Issue “Staging American Memories”, vol. 24, 2017. DOI: 10.4000/framespa.4290
Hernando Real, Noelia. Review of Otros géneros, Otros mundos. Sexualidad y suicidio en la literatura de mujeres, by Francisco José Cortés Vieco (Biblioteca Instituto Franklin, 2016). Asparkía, vol. 30, 2017, pp. 183-186.
Hernando Real, Noelia. Review of Woman on Trial. Gender and the Accused Woman in Plays from Ancient Greece to the Contemporary Stage, edited by Amelia Howe Kritzer and Miriam López Rodríguez (Teneo Press, 2015). Revista de Estudios Norteamericanos, vol. 21, 2017, pp. 191-196.
Durán Giménez-Rico, Isabel, Rebeca Gualberto, Noelia Hernando Real, Carmen Méndez García, Joanne Neff van Aertselaer and Ana-Laura Rodríguez-Redondo, editors. Estudios de género. Visiones transatlánticas / Gender Studies. Transtlantic Visions. Fundamentos, 2016.
Durán Giménez-Rico, Isabel, Rebeca Gualberto, Noelia Hernando Real, Carmen Méndez García, Joanne Neff van Aertselaer and Ana-Laura Rodríguez-Redondo, Introduction. Estudios de género. Visiones transatlánticas / Gender Studies. Transtlantic Visions. Fundamentos, 2016, pp. 9-31.
Hernando Real, Noelia. “The First World War in Europe and in America: A Gendered Reading of Anti-war Plays by the Provincetown Players.” Experimental O’Neill. The Wooster Group, The Hairy Ape, The Emperor Jones, the S.S. Glencairn Plays, the Provincetown Players, and Other Journeys into the Worlds of Eugene O’Neill, edited by Richard Mitchell. Rare Bird Books, 2016, pp. 339-366.
Hernando Real, Noelia. “Celebrating Susan Glaspell when Trifles Turns 100: Interview with Martha Carpentier and Barbara Ozieblo.” Miranda 13, 2016. DOI: 10.4000/miranda.9501
Hernando Real, Noelia. “‘Crossing Europe in One Night: Review of Best of BE Festival Tour 2015.” Critical Stages, 13, 2016.
Hernando Real, Noelia. “Powerful Gazes: The Right to Look in Film Adaptations of Trifles and ‘A Jury of Her Peers.’” On Susan Glaspell’s Trifles and “A Jury of Her Peers.” Centennial Essays, Interviews and Adaptation, edited by Martha C. Carpentier and Emeline Jouve. McFarland, 2015, pp. 79-93.
Hernando Real, Noelia. “Still Struggling with the Male Gaze: Feminism and Contemporary Representations of Hysteria. Sarah Ruhl’s In the Next Room and Tanya Wexler’s Hysteria.” New England Theatre Journal, vol. 26, 2015, pp. 103-122.
Hernando Real, Noelia. “Love Triangles and Triangular Lives: A Home for Three in Sarah Ruhl’s In the Next Room.” Old Stories, New Readings. The Transforming Power of American Drama, edited by Miriam López Rodríguez, Inmaculada Pineda Hernández & Alfonso Ceballos Muñoz. Cambrdige Scholars Publishing, 2015, pp. 231-248.
Fernández-Caparrós Turina, Ana, Noelia Hernando Real, and Fabio Vericat, editors. “Staging the Sounds of a Nation: The Poetic Soundscapes of the USA”. Special issue of the Complutense Journal of English Studies, vol. 23, 2015.
Fernández-Caparrós Turina, Ana, Noelia Hernando Real, and Fabio Vericat. “IntroductionStaging the Sounds of a Nation: The Poetic Soundscapes of the USA”. Special issue of the Complutense Journal of English Studies, vol. 23, 2015, pp. 7-13.
Hernando Real, Noelia. Voces contra la mediocridad: la vanguardia teatral de los Provincetown Players, 1915-1922. Universidad de Valencia, 2014. DOI: 10.4000/miranda.10862
Hernando Real, Noelia. Review of Sarah Ruhl and her Contemporaries, by Leslie Atkins Durham. Gramma. Journal of Theory and Criticism, vol. 22.2, 2014, pp. 236-238. DOI: 10.26262/gramma.v22i2.6268
Durán Giménez-Rico, Isabel, Noelia Hernando Real, Carmen Méndez García, Joanne Neff van Aertselaer and Ana-Laura Rodríguez-Redondo, editors. En torno a espacios y género/ Negotiating Gendered Spaces. Fundamentos, 2013.
Durán Giménez-Rico, Isabel, Noelia Hernando Real, Carmen Méndez García, Joanne Neff van Aertselaer and Ana-Laura Rodríguez-Redondo. Introduction. En torno a espacios y género/ Negotiating Gendered Spaces. Fundamentos, 2013, pp. 7-21.
Hernando Real, Noelia. “Female Charioteers in Susan Glaspell’s Plays: Re-visiting The Spirit of Delphi and Aristotle’s Poetics in Inheritors, The Verge, and The Comic Artist.” Americans’ Experience in Delphi, edited by Paul Lorenz and David Roessel. Somerset Hall Press, 2013, pp. 181-200.
Hernando Real, Noelia. “Dramatic Geopathology Past and Present: Place and Identity in Susan Glaspell’s Chains of Dew and Sarah Ruhl’s In the Next Room.” Topografías domésticas/Negotiating Gendered Spaces, edited by Isabel Durán Giménez-Rico, Noelia Hernando Real, Carmen Méndez García, Joanne Neff van Aertselaer and Ana-Laura Rodríguez-Redondo. Fundamentos, 2013, pp. 121-134.
Hernando Real, Noelia. “On Closets and Graves: Intertextualities in Susan Glaspell’s Alison’s House and Emily Dickinson’s Poetry.” Intertextuality in American Drama. Critical Essays on Eugene O’Neill, Susan Glaspell, Thornton Wilder, Arthur Miller and Other Playwrights. Playwrights, edited by Drew Eisenhauer and Brenda Murphy. McFarland, 2013, pp. 63-75.
Hernando Real, Noelia. “‘The Budget is the Thing’: Spanish Theatre in Recession.” Critical Stages. Special issue Theatre in Recession, edited. by Savas Patsalidis. July 2013. http://www.criticalstages.org/criticalstages8/entry/The-Budget-is-the-Thing-Spanish-Theatre-in-Recession#sthash.G8r4Zc90.dpbs.
Hernando Real, Noelia. “La Primera Guerra Mundial en escena: Una aproximación transatlántica al teatro bélico de los Provincetown Players.” Informes USA, vol. 15, 2013.
Hernando Real, Noelia. Introduction. Performing Gender Violence. Plays by Contemporary American Women Dramatists, edited by Barbara Ozieblo and Noelia Hernando Real. Palgrave, Macmillan, 2012, pp. 1-14. DOI: 10.1057/9781137010568_1
Hernando Real, Noelia. “American Women Playwrights and Violence Against Women” Performing Gender Violence. Plays by Contemporary American Women Dramatists, edited by Barbara Ozieblo and Noelia Hernando Real. Palgrave, Macmillan, 2012, pp. 27-38. DOI: 10.1057/9781137010568_3
Hernando Real, Noelia. “My Home, My Battleground: The Deconstruction of the American Family”. Performing Gender Violence. Plays by Contemporary American Women Dramatists, edited by Barbara Ozieblo and Noelia Hernando Real. Palgrave, Macmillan, 2012, pp. 39-60. DOI: 10.1057/9781137010568_4
Ozieblo, Barbara and Noelia Hernando Real, editors. Performing Gender Violence. Plays by Contemporary American Women Dramatists. Palgrave, Macmillan, 2012.
Hernando Real, Noelia. “A Luncheon for Suffrage: Theatrical Contributions of Heterodoxy to the Enfranchisement of the American Woman.” Revista de Estudios Norteamericano, vol. 16, 2012, pp. 75-90.
Alberola Crespo, Nieves and Noelia Hernando Real, editors. “Mujeres a escena: Dramaturgas contemporáneas norteamericanas.” Asparkía, vol. 23, 2012.
Hernando Real, Noelia. “Sin hogar, sin identidad: el teatro feminista de Jane Bowles.” Asparkía, vol. 23, 2012, pp. 73-89.
Hernando Real, Noelia. Review of New Women Dramatists in America, 1890-1920, by Sherry Engle (Palgrave, Macmillan, 2007). Asparkía, vol. 23, 2012, pp. 215-217.
Hernando Real, Noelia. Translations and introduction to fragments from the Women of the Provincetown Players, by Cheryl Black (University of Alabama Press, 2002). Asparkía, vol. 23, 2012, pp. 193-200.
Hernando Real, Noelia. Review of New Women Dramatists in America, 1890-1920, by Sherry Engle (Palgrave, Macmillan, 2007). Asparkía, vol. 23, 2012, pp. 215-217.
Hernando Real, Noelia. Self and Space in the Theater of Susan Glaspell. McFarland, 2011.
Hernando Real, Noelia. “Sane Enough to Kill: On Women, Madness, and the Theatricality of Violence in Suan Glaspell’s The Verge.” Violence in American Drama. Essays on Its Staging, Meanings and Effects, edited by Alfonso Ceballos Muñoz, Ramón Espejo Romero and Bernardo Muñoz Martínez. McFarland, 2011, pp. 59-71.
Claudia Alonso Recarte
Alonso-Recarte, Claudia. “Nonhuman Animal Imagery, AIDS and Extinction in Tony Kushner’s Angels in America.” Atlantis, vol. 48, no. 1, 2026. FORTHCOMING.
Alonso-Recarte, Claudia. “Spanish Greyhounds and ‘Greying’ Men: Animal Advocacy and the Representation of Aging Galgueros in Spanish Documentary Film.” Romance Quarterly, vol. 71, no. 1, 2024, pp. 25-37. DOI: 10.1080/08831157.2023.2294499
Alonso-Recarte, Claudia. “Bartabas et la question du sens équins dans Mazeppa (1993).” La Ménagerie théâtrale. Écrire, incarner, mettre en scéne l’animal en France (XVIIIe-XXIe siècles), edited by Ignacio Ramos-Gay. Garnier, 2023, pp. 237-256. DOI: 10.48611/isbn.978-2-406-15836-3.p.0237
McArthur, Jo-Anne, and Claudia Alonso-Recarte. “‘If we want people to turn away from the subject matter, you have to give them a reason to turn back to it.’ Interview with Jo-Anne McArthur, Leading Animal Photojournalist.” Revista General de Derecho Animal y Estudios Interdisciplinares de Bienestar Animal / Journal of Animal Law & Interdisciplinary Animal Welfare Studies, vol. 11, 2023, pp. 139-152.
McArthur, Jo-Anne, and Claudia Alonso-Recarte. “‘Les debemos visibilidad’: Entrevista a Jo-Anne McArthur, líder en el fotoperiodismo animalista.” Pasajes, vol. 68, no. 2, 2023, pp. 166-181.
Alonso-Recarte, Claudia. “Introducción: Los animales no humanos y la cultura.” Pasajes, vol. 68, no. 2, 2023, pp. 71-76.
Alonso-Recarte, Claudia, editor. “Los animales no humanos y la cultura.” Monográfico de Pasajes: Revista de pensamiento contemporáneo, vol. 68, no. 2, 2023.
Alonso-Recarte, Claudia. “J. R. Ackerley, Queenie, and Interspecies Interference.” Critica Letteraria, vol. L-IV, no. 197, 2022, pp. 815-830.
Alonso-Recarte, Claudia, Ignacio Ramos-Gay, and Irene Romera Pintor. “Introduzione / Introducción / Introduction, L'animale non umano nella narrativa contemporanea europea / El animal no humano en la narrativa contemporánea europea / The Nonhuman Animal in European Contemporary Narrative.” Critica Letteraria, vol. L-IV, no. 197, 2022, pp. 717-754.
Alonso-Recarte, Claudia, Ignacio Ramos-Gay, and Irene Romera Pintor, editors. “El animal no humano en la narrativa contemporánea europea.” Critica Letteraria, vol. L-IV, no. 197, 2022.
Weary Old Dogs: Ageing Masculinities in Arturo Pérez-Reverte’s Los perros duros no bailan," Bulletin of Spanish Studies, vol. 99, no. 4, 2022, pp. 619-639, DOI: 10.1080/14753820.2022.2095864
Alonso-Recarte, Claudia, and Ignacio Ramos-Gay, "Real Animals and the Problem of Anthropomorphism in Children’s Film," The Oxford Handbook of Children's Film, edited by Noel Brown. Oxford Academic, 2022, pp. 408–C19.P64. DOI: 10.1093/oxfordhb/9780190939359.013.13
Alonso-Recarte, Claudia. "Tiger King and the Exegesis of COVID-19 Media Coverage of Nonhuman Animals" Journalism and Media, vol. 3, no. 1, 2022, pp. 99-114. 10.3390/journalmedia3010008
Alonso Recarte, Claudia. “‘They stood like men’: Horses, Myth, and Carnophallogocentrism in Toni Morrison’s Home.” Multi-Ethnic Literature of the United States (MELUS), vol. 46, no. 2, 2021, pp. 87-110. DOI: 10.1093/melus/mlab019
Ramos Gay, Ignacio, and Claudia Alonso Recarte. “On Long-lasting Humanimal Friendships: Gayness, Aging, and Disease in Lily and the Octopus.” Aging Masculinities in Contemporary U.S. Fiction, edited by Josep M. Armengol. Palgrave Macmillan, 2021, pp. 171-188. DOI: 10.1007/978-3-030-71596-0_12
Ramos Gay, Ignacio, and Claudia Alonso Recarte, editors. Special issue “Zoomasculinities: Animals, Animality, and Masculinity.” Men and Masculinities, vol. 23, no. 5, 2020.
Ramos Gay, Ignacio, and Claudia Alonso Recarte. “Zoomasculinities: At the Intersection Between Animals, Animality, and Masculinity.” Men and Masculinities, vol. 23, no. 5, 2020, pp. 807-813. DOI: 10.1177/1097184X20965125
Alonso Recarte, Claudia. “Pit Bulls and Dogfighting as Symbols of Masculinity in Hip Hop Culture.” Men and Masculinities, vol. 23, no. 5, 2020, pp. 852-871. DOI: 10.1177/1097184X20965455
Grant, Teresa, Ignacio Ramos-Gay, and Claudia Alonso Recarte, editors. Real Animals on the Stage. Routledge, 2020.
Alonso Recarte, Claudia, and Ignacio Ramos-Gay. “‘A passionate call for murder’: Dying and Suffering Animals in Spanish Film and Filmmaking.” Spanish Thinking about Animals (The Animal Turn Series), edited by Margarita Carretero González, Michigan State University Press, 2020.
Grant, Teresa, Ignacio Ramos-Gay, and Claudia Alonso Recarte. “Introduction: Real Animals on the Stage.” Studies in Theatre and Performance, vol. 38, no. 2, 2018, pp. 103-112. DOI: 10.1080/14682761.2018.1451941
Alonso Recarte, Claudia (2018). “‘When the animal cannot keep up a good appearance it had better go out of the room’: Vivisection and Theatricality in the Nineteenth and Early Twentieth Centuries.” Studies in Theatre and Performance, vol. 38, no. 2, 2018, pp. 190-205. DOI: 10.1080/14682761.2018.1451943
Alonso Recarte, Claudia. “Canine Actors and Melodramatic Effects: The Dog of Montargis Arrives on the English Stage.” Cahiers victoriens et édouardiens, vol. 86, 2017, pp. 1-18. DOI: 10.4000/cve.3345
Berloni, William M., Ignacio Ramos Gay, and Claudia Alonso Recarte. “Revisiting the History of the Implementation of Animal Welfare Policies in Theater and Film Productions: An Interview with William M. Berloni, Leading Animal Trainer in Broadway Shows.” Revista General de Derecho Animal y Estudios Interdisciplinares de Bienestar Animal / Journal of Animal Law & Interdisciplinary Animal Welfare Studies (JAL – IAWS), vol. 0, 2017, pp. 201-222.
Alonso Recarte, Claudia. “Volvamos al ‘perrito’: sufrimiento, ética y libertad artística en Exposición #1 de Guillermo Vargas.” Miríada Hispánica, vol. 14, 2017, pp. 115-127.
Alonso Recarte, Claudia. “Guillermo Vargas’s Exposition #1 in the Context of Global Animal Ethics.” Journal for Critical Animal Studies, vol. 14, no. 1, 2017, pp. 4-36.
Alonso Recarte, Claudia. “Encountering the Posthuman Animal: Revisiting Dian Fossey’s Gorillas in the Mist.” Atlantis, vol. 38, no. 2, 2016, pp. 103-121.
Alonso Recarte, Claudia. “Animal Liberation, American Anti-terrorist Culture and Denis Henelly’s Bold Native.” Critical Studies on Terrorism, vol. 9, no. 2, 2016, pp. 247-268. DOI: 10.1080/17539153.2016.1163864
Alonso Recarte, Claudia. “De caballos, perros y palomas: el animal en la cultura militar de la Primera Guerra Mundial y su reflejo en la literatura.” La Primera Guerra Mundial en las literaturas alemana, francesa, italiana, inglesa y norteamericana, edited by Carmen Manuel Cuenca and Ignacio Ramos Gay, Publicaciones de la Universitat de València, 2015, pp. 387-404.
Alonso Recarte, Claudia. “Gallophobie et discurs anti-vivisection: Frances Power Cobbe.” Curious About France: Visions Littéraires Victoriennes, edited by Ignacio Ramos Gay, Peter Lang, 2015, pp. 205-219.
Alonso Recarte, Claudia. “Anti-French Discourse in the Nineteenth-Century British Anti-Vivisection Movement.” Atlantis, vol. 36, no. 1, 2014, pp. 31-50.
Alonso Recarte, Claudia. The Vivisection Controversy in America. Friends of Thoreau Program – Case Studies Series, Universidad de Alcalá, 2014, ISBN: 978-84-608-1541-9, www.institutofranklin.net/wp-content/uploads/2016/03/Vivisection-in-america-Case-Study-DEF.pdf. Accessed 5 May 2020.
Alonso Recarte, Claudia. “Myths of Primitiveness: A Barthean Interpretation of Rhetorical Devices in Early Jazz Criticism.” Revista Alicantina de Estudios Ingleses, vol. 26, 2013, pp. 195-212. DOI: 10.14198/raei.2013.26.14
Alonso Recarte, Claudia. “Organicism, Womanhood and Domesticity in Anne LaBastille’s Woodswoman Saga.” Gender, Place and Culture: A Journal of Feminist Geography, vol. 21, 2013, pp. 1-17. DOI:10.1080/0966369X.2013.810604
Alonso Recarte, Claudia. “‘Is it happy cats or is it an Ireland free we’re after?’: Animal Rights, Terrorism and American Audiences’ Response to Martin McDonagh’s The Lieutenant of Inishmore.” Adaptations, Versions and Perversions in Modern British Drama, edited by Ignacio Ramos Gay, Cambridge Scholars, 2013, pp. 154-172.
Alonso Recarte, Claudia. “La exégesis de la historia racial y musical de los Estados Unidos en el documental Electric Purgatory: The Fate of the Black Rocker.”L’Atalante: Revista de Estudios Cinematográficos, vol. 14, 2012, pp. 13-19.
Alonso Recarte, Claudia. “Espacios y especies en intersección: cuerpos femeninos y la esfera doméstica en el activismo por los derechos de los animales” // “Intersecting Spaces and Species: Women’s Bodies and the Domestic Sphere in Animal Rights Activism.” Investigaciones Feministas, vol. 3, 2012, pp. 85-98. DOI: 10.5209/rev_INFE.2012.v3.41138
Alonso Recarte, Claudia. “Rompiendo las barreras entre realidad y ficción: La influencia del Quijote en Jack Kerouac y en John Clellon Holmes.” Don Quijote en su periplo universal. Aspectos de la recepción internacional de la novela cervantina, edited by Hans Christian Hagedorn, Ediciones de la Universidad de Castilla-La Mancha, 2011, pp. 313-335.
Alonso Recarte, Claudia. “Marketing Strategies, Consumerism and the Exercise of Democracy in W.H.H. Murray’s Adventures in the Wilderness; or, Camp-life in the Adirondacks.” Atlantis, vol. 33, no. 1, 2011, pp. 53-68.
Alonso Recarte, Claudia. “The Myth of the Adirondack Backwoodsman: From the Golden Years to Consumer Society.” Miscelánea, vol. 42, 2010, pp. 33-49. DOI: 10.26754/ojs_misc/mj.20109413
Alonso Recarte, Claudia (2010). Adirondack Writing and the Wilderness Aesthetic. Friends of Thoreau Program – Case Studies Series, Universidad de Alcalá, 2010, ISBN: 978-84-693-2192-8,
Alonso Recarte, Claudia. “Mythistory? Women’s Blues and Feminism.” Identidad, migración y cuerpo femenino, edited by Silvia Castro Borrego and María Isabel Gómez Ruiz, KRK, 2009, pp. 193-201.
Alonso Recarte, Claudia. “Ralph Ellison’s ‘Bluesisms’: Expressionistic and Surrealistic Imagery in Invisible Man’s Blues Motifs.” Revista de Estudios Ingleses de la Universidad Complutense, vol. 17, 2009, pp. 75-93.
Rebeca Gualberto Valverde
Gualberto Valverde, Rebeca. "A Baseball (Anti-)Hero in the Waste Land: Exploring Mythical Uncertainties in Bernard Malamud’s The Natural" Anglo Saxonica, vol. 21, no. 1, 2023, pp. 1-10. DOI: 10.5334/as.85
Gualberto Valverde, Rebeca. "Reading Illness from 'The Dead Cold Light of Tomorrow': Katherine Anne Porter's Pale Horse, Pale Rider in the Times of COVID-19." Miscelanea, vol. 66, 2022, pp. 171-190. DOI: 10.26754/ojs_misc/mj.20227360
Gualberto Valverde, Rebeca. Adaptation against Myth: Gary Owen’s Iphigenia in Splott and the Violence of Austerity. Alicante Journal of English Studies, 35, Theatre and Performance Studies, 2021, pp. 119-140. DOI: 10.14198/raei.2021.35.06
Gualberto Valverde, Rebeca. Wasteland Modernism. The Disenchantment of Myth. Universitat de Valéncia. Biblioteca Javier Coy D'Estudis Nord-Americans, 2021.
Gualberto Valverde, Rebeca. “Performing Disobedience: Domestic Transgressions and Political Transformation in Elizabeth Cary’s The Tragedy of Mariam." Nordic Journal of English Studies 19.1, 2020, pp. 205-223. DOI: 10.35360/njes.520
Valls Oyarzun, Eduardo, et al, eds. Avenging Nature: A Survey of the Role of Nature in Modern and Contemporary Art and Literature. Lexington Books, 2020
Gualberto Valverde, Rebeca. “‘Unmasking Romance in The Tempest: Politics, Theatre and T.S. Eliot..” Brno Studies in English 45.1, 2019, pp: 111-128. DOI: 10.5817/BSE2019-1-7
Durán Giménez-Rico, et al. A Critical Gaze from the Old World: Transatlatic Perspectives on American Studies. Peter Lang, 2019.
Gualberto Valverde, Rebeca. “‘Reassessing John Steinbeck’s Modernism: Myth, Ritual, And A Land Full Of Ghosts In To A God Unknown."JES Journal of English Studies, 16, 2018, pp: 113-132. DOI: 10.18172/jes.3404
Gualberto Valverde, Rebeca. “Myth and Emotions” (Review). José Manuel Losada Goya y Antonella Lipscomb, 2017. ILU. Revista de Ciencias de las Religiones, 23, 2018, pp: 372-376. DOI: 10.5209/ILUR.61043
Gualberto Valverde, Rebeca. “Dueños del tiempo y del espanto (Review). Eduardo Valls Oyarzun", 2017. Nexus, 2018-2, pp: 86-89.
Gualberto Valverde, Rebeca. “‘De-Emplotting’ History: Genre, Violence and Subversion in Christopher Marlowe’s Edward II”. Complutense Journal of English Studies, 24, 2016, pp: 43-59. DOI: 10.5209/CJES.52158
Durán Giménez-Rico, et al, eds. Gender Studies: Transatlatic Visions / Estudios de Género: Visiones Transatlánticas. Fundamentos, 2016.
Gualberto Valverde, Rebeca. “Desire, Resentment and Reprisal: Revisiting the Emotions of Myth in F. Scott Fitzgerald’s The Great Gatsby.” AMALTEA, Revista de Mito-crítica, 7, 2015, pp: 1-18. DOI: 10.5209/rev_AMAL.2015.v7.48140
Gualberto Valverde, Rebeca. "Boats and tides and all": Mythical Intertextuality in HBO's The Wire.” Nuevas Formas del Mito. Una Metodología Interdisciplinar. Logos Verlag, 2015.
Gualberto Valverde, Rebeca. “‘When you’ve nothing else construct ceremonies out of the air’: Cormac McCarthy’s post-mythical apocalypse in The Road.” Myth in Crisis. The Crisis of Myth, edited by José Manuel Losada Goya, Cambridge Scholars, 2015, pp: 191-202.
Gulaberto Valverde, Rebeca. “Remapping “No Man’s Land”: Maladjusted Cross-Gendered Spaces in Nightwood.” Negotiating Gendered Spaces / Topografías Domésticas y Género, edited by Isabel Durán Giménez-Rico, et al, Fundamentos, 2013, pp: 171-184.
Gualberto Valverde, Rebeca. “The Fantastic Modernist; or Henry James's The Turn of the Screw, Revisited.”ES Review. Revista de Filología Inglesa, 33, 2012: 97-114
Gualberto Valverde, Rebeca, et al., eds. Reading Nature. Cultural Perspectives on Environmental Imagery. Friends of Thoreau, Universidad de Alcalá, 2012.
Gualberto Valverde, Rebeca. “‘Himself Armed with a Lance:’ Mythologizing Transmigrant Experience in Paule Marshall’s The Fisher King.”Revista de Estudios Norteamericanos, 15, 2011, pp: 69-82.
Gualberto Valverde, Rebeca. “La ciudad enferma: espacio, metáfora y mito en Manhattan Transfer, de John Dos Passos.” Ángulo Recto, 4, 2011, pp: 175-194. DOI: 10.5209/rev_ANRE.2011.v3.n1.19527
Gualberto Valverde, Rebeca.“Malory’s ‘Vertuouse Love’ as Metaphor of Decline: Elaine of Astolat and the Downfall of Camelot.” SELIM: Journal of the Spanish Society for Medieval English Language and Literature, 17, 2010, pp: 163-174. DOI: 10.17811/selim.17.2010.163-172
Gualberto Valverde, Rebeca. “‘One Generation Passeth Away, and Another Generation Cometh:’ Morfologías del Exilio en The Sun Also Rises, de Ernest Hemingway.” Exilio: Espacios y Escrituras, edited by Ángel Clemente Escobar, et al, Universidad Complutense de Madrid, 2010, pp: 214-226.
David Yagüe González
Yagüe González, David. "Transatlantic Views on Trans Identities in Media: A Transhistorical Approach." The European Journal of Life Writing, 2024 (In press).
Greskovicova, Bronia, Carlos Varón González, David Yagüe González et al. (eds). Shinning Signs of the Day. Space and Senses in Transatlantic Culture. Biblioteca Benjamin Franklin, 2019.
Yagüe González, David. "El ruiseñor enfermo: narrativa y género en los cuentos de Efrén Hernández.” “Mirar no es como ver”: estudios y ensayos sobre la obra de Efrén Hernández. Berdeja Acevedo, Juan, and Osorno, Julian, (eds). Editorial Calygramma, 2018.
Yagüe González, David. “Animalidad y Animalización en Amores Perros”. Miriada Hispánica, vol. 14, 2017, pp. 105-114.
Yagüe González, David. “La casa del miedo. Domesticidad y comunidad en Toni Morrison” Investigaciones feministas, 3,2013, pp. 117-127. DOI: 10.5209/rev_INFE.2012.v3.41140
Yagüe González, David. “‘I Promise to Lie Quietly in the Dark’: Legacies of Trauma in Toni Morrison’s Latest Works.” The Proceedings of the 4th International Students’ Scientific-Practical Conference "The Priorities of Contemporary Philology: Theory and Practice", Shevchenko, 2011, pp. 280–283.
Laura de la Parra Fernández
de la Parra Fernández, Laura.“Through the Looking Glass: Narrating the Madgirl in Anna Kavan’s Sleep Has His House.” Poetics of Disturbances: Narratives of Non-Normative Bodies and Minds, editado por Deborah de Muijnck, Jessica Jumpertz, Ralf Schneider, and Teresa Turnbull. Brill, 2024, 29–43. DOI: 10.1163/9789004519886_003.
de la Parra Fernández, Laura. “‘Be three now’: Queering the Postwar Heterosexual Marriage in Ann Quin’s Three.” Unbound Queer Time, editado por Juan Francisco Belmonte Ávila y Estíbaliz-Encarnación Pinedo. Routledge, 2024, pp. 160–165. DOI: 10.4324/9781003399957-14.
de la Parra Fernández, Laura. “Post-Postfeminist Witnessing: Sexual Violence and 9/11 in Claire Vaye Watkins’s ‘Rondine Al Nido’.” Anglia: Journal of English Philology, vol. 141, no. 4, 2023, pp. 639-652. DOI: 10.1515/ang-2023-0037
de la Parra Fernández, Laura. "Representaciones de la subjetividad nómade en Memorias de abajo de Leonora Carrington.” Autoescrituras de mujer. Reconstrucción inclusiva de la historia literaria en primera persona, edited by María Isabel García Pérez and Juan Manuel Martín Martín, Peter Lang, 2023, pp. 39–50.
de la Parra Fernández, Laura. “Loneliness, Grief and the (Un)Caring State: Collective Ailments in Claudia Rankine’s Don’t Let Me Be Lonely: An American Lyric.” JamIt! Journal of American Studies in Italy, vol. 7, 2022, 14–36. DOI: 10.13135/2612-5641/6801
de la Parra Fernández, Laura. Review of Borham Puyal, Miriam (2020). Contemporary Rewritings of Liminal Women: Echoes from the Past. New York/ London: Routledge. Arte, Individuo y Sociedad, vol. 34, no. 1, 2022, pp. 413–414. DOI: 10.5209/aris.78645
de la Parra Fernández, Laura. Review of Gualberto Valverde Rebeca (2021). Wasteland Modernism: The Disenchantment of Myth. Valencia: Publicacions de la Universitat de València. Complutense Journal of English Studies, vol. 29, 2021, pp. 133–35. DOI: 10.5209/cjes.78619
de la Parra Fernández, Laura. “‘The body’s unruly event of illness’: (Re)Orienting the Cancer Memoir in Anne Boyer’s The Undying.” Prose Studies: History, Theory, Criticism, vol. 42, no. 1, 2021, pp. 34–52. DOI: 10.1080/01440357.2021.1995292
de la Parra Fernández, Laura. “Mapping the Self: Leonora Carrington’s Journey Through the Mad Mind in Down Below (1944).” Atlantis: Journal of the Spanish Association for Anglo-American Studies, vol. 43, no. 2, 2021, pp. 110–129. DOI: 10.28914/Atlantis-2021-43.2.06
de la Parra Fernández, Laura. “Blowing Up the Nuclear Family: Shirley Jackson’s Queer Girls in Postwar US Culture.” Revista de Estudios Norteamericanos, vol. 25, 2021, pp. 25–49. DOI: 10.12795/REN.2021.i25.02
de la Parra Fernández, Laura. “Sirenas que cantan la vida: el sujeto femenino moderno en Vida a vida (1932) de Concha Méndez.” Revista Internacional de Culturas y Literaturas, vol. 23, 2020, pp. 87–100. DOI: 10.12795/RICL.2020.i23.06
de la Parra Fernández, Laura. “‘With one arm I supported her: the other arm was the executioner’s’: An Ecofeminist Reading of Anna Kavan’s Ice.” Avenging Nature: A Survey of the Role of Nature in Modern and Contemporary Art and Literature, edited by Eduardo Valls Oyarzun et al., Lexington Books, 2020, pp. 37–48.
de la Parra Fernández, Laura. “Subversive Wanderings in The City of Love: Constructing the Female Body in Paris in Jean Rhys’s Good Morning, Midnight”. ES Review. Spanish Journal of English Studies, vol. 39, 2018, pp. 215–232. DOI: 10.24197/ersjes.39.2018.215-232
Abril, Ana and Laura de la Parra, editors. Representaciones del espacio hostil en la literatura y las artes / Representations of Hostile Spaces in Literature and the Arts. Andavira, 2018.
de la Parra Fernández, Laura. Review of Luisa Paz Rodríguez Suárez and José Ángel García Landa (Eds.). 2017. Corporalidad, Temporalidad, Afectividad. Perspectivas filosófico-antropológicas. Berlin: Logos Verlag Berlin. Babel AFIAL, no. 27, 2018, pp. 213–219. DOI: 10.35869/afial.v0i27.333
de la Parra Fernández, Laura. “El aborto en España desde la Transición hasta nuestros días: Daniela Astor y la caja negra de Marta Sanz.” LL Journal, vol. 13, no. 1, 2018.
de la Parra Fernández, Laura. “A Way Out of the Female Complaint? Rethinking the Crisis of Contemporary Femininity in Emma Cline’s The Girls.” Studies in the Literary Imagination, vol. 50, no. 2, 2017, pp. 71–89. DOI: 10.1353/sli.2017.0013
de la Parra Fernández, Laura. Review of Silvia Pellicer-Ortín. 2015. Eva Figes’ Writings: A Journey through Trauma. Newcastle upon Tyne: Cambridge Scholars Publishing. Atlantis: Journal of the Spanish Association of Anglo-American Studies, no. 39, vol. 1, 2017, pp. 235–239.
de la Parra Fernández, Laura. “‘We Are All Mad Here’: Sylvia Plath’s The Bell Jar as a Political Novel.” Revista de Filología Románica, vol. 33, Número Especial “Reflejos de la Segunda Guerra Mundial en la Literatura y en las Artes” I, 2017, pp. 163–170. DOI: 10.5209/RFRM.55845
de la Parra Fernández, Laura. “Performing (In)sanity: Un-Doing Gender in Janet Frame’s An Angel At My Table.” The Grove: Working Papers on English Studies, 23, 2016, pp. 35–45. DOI: 10.17561/grove.v23.a3
de la Parra Fernández, Laura. “Running Away with Strange Men: Leaving Home in The House of Mango Street and ‘Where Are You Going, Where Have You Been’.” 9th International Students’ Conference “The Priorities of Contemporary Philology: Theory and Practice”, Potlava University, 2016, pp. 123–126.
de la Parra Fernández, Laura. “Madness as Dissidence: Anna Kavan’s Political Poetics in Asylum Piece and Sleep Has His House.” Locas: escritoras y personajes femeninos cuestionando las normas, edited by Milagro Martín Clavijo, et al., ArciBel, 2015, pp.: 1164–1172.
García Carcedo, Pilar and Laura de la Parra. “Lectura y escritura creativa en pantalla.” Alicia a través de la pantalla. Lecturas Literarias en el siglo XXI, edited by María Goicoechea de Jorge and Pilar García, CITA-Fundación Germán Sánchez Ruipérez, 2013, pp. 171–194.
de la Parra Fernández, Laura. “Writing Out, Reading In: The Poetic Persona in Young Blogging Writers.” Texto Digital, vol. 8, no. 1, 2012, pp. 127–137. DOI: 10.5007/1807-9288.2012v8n1p127
Francisco José Cortés Vieco
Cortés Vieco, Francisco. “An Education for (Future) Health Professionals: Audre Lorde’s The Cancer Journals and Marisa Marchetto’s Cancer Vixen.” Miscelánea: A Journal of English and American Studies, vol. 70 (2024). In Press.
Cortés Vieco, Francisco. “A New ‘Stockholm Syndrome: Physical Impairment and Hospital Confinement as Post-Holocaust Sequelae in Ilona Karmel’s Stephania.” The European Journal of Life Writing, vol. 13, 2024, pp. 33-54. DOI: 10.21827/ejlw.13.41315
Cortés Vieco, Francisco. “The Anatomist of Love and Disease in Jeanette Winterson’s Written on the Body." Anglia: Journal of English Philology-De Gruyter, vol. 140, no. 3-4, 2022, pp. 481-498. DOI: 10.1515/ang-2022-0048
Cortés Vieco, Francisco. “‘You’: A Girl amidst Images and Sounds of Adult Violence in Joyce Carol Oates’s Rape: A Love Story." Atlantis: Journal of the Spanish Association of Anglo-American Studies, vol. 43, no. 2, December 2021, pp. 149-167. ISNN: 1989-6840. DOI: 10.28914/Atlantis-2021-43.2.08
Cortés Vieco, Francisco José. Bearing Liminality, Laboring White Ink: Pregnancy and Childbirth in Women's Literature. Peter Lang Oxford, 2021.
Cortés Vieco, Francisco José. "The Art of Guilt and Self-Division: Anaís Nin's A Spy in the House of Love." Ilha do Desterro, A Journal of English Language, Literature in English and Cultural Studies, vol. 74, nº 2, 2021, pp. 151-167. DOI: 10.5007/2175-8026.2021.e78045
Cortés Vieco, Francisco José. “(Im)perfect Celebrations by Intergenerational Hostesses: Katherine Mansfield’s “The Garden Party” and Virginia Woolf’s Mrs. Dalloway.” International Journal of English Studies, vol. 20, nº 1, 2020, pp. 93-111. DOI: 10.6018/ijes.364191
Cortés Vieco, Francisco José. “A Changeling Becomes Titania: The Realm of the Fairies in Charlotte Brontë’s Jane Eyre.” Anglia, Journal of English Philology-De Gruyter, vol.138, no.1, 2020, pp. 20-37. DOI: 10.1515/ang-2020-0001
Cortés Vieco, Francisco José. “The Cursed Fairy: Broken Spells in Anne Sexton’s Poetry”. Contemporary Fairy-Tale Magic: Subverting Gender and Genre, edited by Lydia Brugué Botia and Auba Llompart Pons, Brill-Rodopi, 2020, pp. 9-20. DOI: 10.1163/9789004418998_003
Cortés Vieco, Francisco José. “Queering the Chicana familia in Cherríe Moraga’s Waiting in the Wings.” Revista Camino Real, vol. 12, no.15, 2020, pp. 17-36.
Cortés Vieco, Francisco José. “Epístolas entre bastidores en The Secret Love Life of Ophelia de Steven Berkoff.” Cervantes, Shakespeare y la Edad de Oro en la escena, edited by Jorge Braga, Javier J. Gonzálezand Miguel Sanz. Fundación Universitaria Española, 2018, pp. 523-542.
Cortés Vieco, Francisco José. “Interculturality Interrupted: Judith Ortiz Cofer’s The Latin Deli”. Culture and Hispanic Heritage: Building an Identity, edited by Carmen Méndez, Universidad de Alcalá (Colección Biblioteca Benjamin Franklin), 2018, pp. 23-32.
Cortés Vieco, Francisco José. “‘I hate Women. They get on my Nerves’: Dorothy Parker’s Poetry of Female Sympathy.” ES Review. Spanish Journal of English Studies, vol.38, 2017, pp. 65-88. DOI: 10.24197/ersjes.38.2017.65-88
Cortés Vieco, Francisco José. “El fantasma lacaniano: el deseo del Otro en las novelas de Charlotte Brontë.”RevistaHerejía y Belleza, vol. 5, 2017, pp. 111-120.
Cortés Vieco, Francisco José. Otro género, otro mundo: sexualidad y suicidio en la literatura de mujeres. Universidad de Alcalá (Colección Biblioteca Benjamin Franklin), 2016.
Cortés Vieco, Francisco José (ed.) Monna Innominata y otros poemas (ed. bilinguë). Christina Rossetti. Ediciones Rilke, 2016.
Cortés Vieco, Francisco José “Totem or Taboo: Incest in the Life-Writings of Anne Sexton and Anaïs Nin.” Estudios de género: visiones transatlánticas/Gender Studies: Transatlantic Visions, edited by Isabel Durán, Carmen Méndez, Rebeca Gualberto, Noelia Hernando et al. Fundamentos, 2016, pp. 199-214.
Cortés Vieco, Francisco José. “Le souvenir érotique de Marguerite Duras: entre l’attachement de l’amant et le détachement de l’aimée.” L’écriture désirante: Marguerite Duras, edited by Anne-Marie Reboul and Esther Sánchez-Pardo. L’Harmattan, 2016, pp.159-169.
Cortés Vieco, Francisco José “Textura erótica o texto pornográfico: El desabrochado corpus del cuerpo femenino de Anaïs Nin.” (Im)posturas Literarias. Un estudio del cuerpo-corpus en el arte contemporáneo, edited by Noemí Acedo and Sandra Verdugo, Servei de Publicacions Bellaterra, Universidad Autónoma de Barcelona, 2016, pp. 117-125.
Cortés Vieco, Francisco José. “Children, Childlike Modernism and Avant-Gardes in Katherine Mansfield’s Short Stories." Forum Filologiczne Ateneum, monograph: “Dimensions”, 2016, pp. 51-66.
Cortés Vieco, Francisco José. “Virginia Woolf y la nueva amenaza bélica: del silencio narrativo a la voz de la sibila.” Revista de Filología Románica, vol. 33, no. 2, 2016, pp. 41-51. DOI: 10.5209/RFRM.55856
Cortés Vieco, Francisco José. “Gótico intergeneracional: ‘transfusión sanguínea’ de John Polidori a Christina Rossetti.” Revista Herejía y Belleza, vol. 4, 2016, pp. 91-202.
Cortés Vieco, Francisco José. “The (Mis)education of the ‘American Girl’ in Europe in Anita Loos’s Gentlemen Prefer Blondes." Revista de Estudios Norteamericanos, vol.19, 2015, pp. 29-48.
Cortés Vieco, Francisco José. “Convergencias y divergencias entre los lenguajes narrativos, cinematográficos, pictóricos y clínicos en Girl, Interrupted de Susanna Kaysen y James Mangold.” Asparkía, Investigació Feminista, vol. 27, 2015, pp. 93-112.
Cortés Vieco, Francisco José. “Unravelling the Body/Mind Reverberations of Secrets Woven into Charlotte Brontë’s Villette.” Prague Journal of English Studies, vol. 4, nº1, 2015, pp. 25-45. DOI: 10.1515/pjes-2015-0002
Cortés Vieco, Francisco José. “¿Paranoide o paranoia gótica? Del punto de vista de Henry James en The Turn of the Screw hacia múltiples vistas críticas.” AnMal Electrónica, vol. 39, 2015, pp. 21-43.
Cortés Vieco, Francisco José (ed.) El romancero de Emily Brontë: antología épica y lírica (ed. bilinguë). Emily Brontë. Arcibel, 2014.
Cortés Vieco, Francisco José. “Venganza Intergeneracional: violencia de género en Cumbres Borrascosas de Emily Brontë.” ‘Estupro’: Mitos Antiguos y Violencia Moderna. Arcibel, 2014.
Cortés Vieco, Francisco José “Syndrome, Trauma and Stigma: Domestic and Gender Violence in The Tenant of Wildfell Hall by Anne Brontë.” Espacios y Género/ Negotiating Gendered Spaces, edited by Isabel Durán, Carmen Méndez, Noelia Hernando. Fundamentos, 2013, pp. 147-155.
Cortés Vieco, Francisco José. “Retrato de una artista como joven terrorista en Atonement de Ian Mc Ewan: tradición literaria, best-seller y postmodernidad hacia el canon narrativo del siglo XXI.” AnMal Electrónica, vol. 35, 2013, pp. 107-128.
Cortés Vieco, Francisco José. “‘No-body’: envejecimiento prematuro y ausencia corporal femenina en Persuasion de Jane Austen”. Revista Internacional de Culturas & Literaturas, vol. 13 (nº Ausencias. Escritoras en los márgenes de la cultura), 2013.
Cortés Vieco, Francisco José. “Vagabunda y cautiva en París: paisaje urbano de la vulnerabilidad femenina en las novelas de entreguerras de Jean Rhys.” Ángulo Recto, Revista de estudios sobre la ciudad como espacio plural, vol. 5, no 2, 2013, pp. 95-114. DOI: 10.5209/rev_ANRE.2013.v5.n2.43333
Cortés Vieco, Francisco José. “Entre reticencia e insistencia: la revolución sexual inacabada de Doris Lessing en The Golden Notebook.” RAUDEM, Revista de Estudios de las Mujeres, vol. 1, 2013, pp. 270-291. DOI: 10.25115/raudem.v1i0.577
Cortés Vieco, Francisco José. “Palimpsesto cinematográfico: rescribiendo y releyendoThe Tempest de William Shakespeare.” Odisea, Revista de Estudios Ingleses, vol. 14, 2013, pp. 57-70.
Cortés Vieco, Francisco José. “‘Girls wanna have fun?’ El verso suelto humorístico de la poesía de Dorothy Parker en los ‘alegres’ años veinte." Revista Feminismo/s, vol. 24, 2014, pp. 265-287. DOI: 10.14198/fem.2014.24.12
Cortés Vieco, Francisco José. “Entre reverencia e irreverencia de género: George Eliot como Némesis en las aguas del realismo literario en The Mill on the Floss." Clepsydra, Revista de Estudios de Género y Teoría Feminista, vol. 13, 2014, pp. 129-146. DOI: 10.25115/raudem.v1i0.577
Cortés Vieco, Francisco José. “Intersecciones entre la mujer, la ecocrítica y el postcolonialismo en Wide Sargasso Sea de Jean Rhys.” Babel a.f.i.a.l., vol. 23, 2014, pp. 31-50.
Cortés Vieco, Francisco José. “The Mind and the Body: James Joyce’s Meddling in Ulysses.” Proceedings of the 5th International Students’ Scientific-Practical Conference “The Priorities of Contemporary Philology: Theory and Practice," Poltava University Press, 2012, pp. 84-88.
Cortés Vieco, Francisco José. “Calling and Recalling Nature by Emily Brontë and George Eliot.” Conference Proceedings of “Reading Nature: Cultural Perspectives on Environmental Imagery”. Friends of Thoreau- Instituto Franklin, 2011, pp. 227-235.
Cortés Vieco, Francisco José. “Madness as a Creative Impulse in North America’s Golden-like Prison of the 1950s.” Proceedings of the 4th International Students’ Scientific-Practical Conference “The Priorities of Contemporary Philology: Theory and Practice,” Poltava University Press, 2011, pp. 106-115.
Juan José Arroyo Paniagua
Arroyo Paniagua, Juan José. "'Whatever doesn't kill you simply makes you stranger': Fear in the Character of the Joker in The Dark Knight and Joker." Revista de Estudios Norteamericanos, vol, 26, 2022, pp. 31-51. DOI: 10.12795/ren.2022.i26.02
Isabel Marqués López
Marqués López, Isabel. “Unlearning this Desire to Vanish: Rape, Illness, and the Politics of Testimony in Lucia Osborne-Crowley’s I Choose Elena and Amy Berkowitz’s Tender Points.” The European Journal of Life Writing, vol. 13, 2024, pp. 77-100. DOI: 10.21827/ejlw.13.41316
Marqués López, Isabel. "Other Possible Wars: Genre, Metafiction and the Ethics of Art in Michael Chabon’s The Amazing Adventures of Kavalier and Clay." GAUDEAMUS Journal of the Association of Young Researchers of Anglophone Studies 3, 2023, pp. 83-102.
Marqués López, Isabel. "Sexual Violence in the Dark Room: Reading Whisper Networks as Collective Narratives." Moving beyond the pandemic: English and American Studies in Spain, edited by Francisco Gallardo del Puerto, María del Carmen Camus Camus and Jesús Ángel González López, Editorial de la Universidad de Cantabria, 2022, pp. 201-206. DOI: 10.22429/Euc2022.034
Marqués López, Isabel. "Amia Srinivasan, The Right to Sex. London, Bloomsbury, 2021, 301 pages." Comunicación y Género, vol. 5, n. 1, 2022, p. 83. DOI: 10.5209/cgen.82682
Marqués López, Isabel. “Review of New Forms of Self-Narration: Young Women, Life Writing and Human Rights, by Ana Belén Martínez García (Cham: Palgrave MacMillan, 2020).” Miscelánea, vol. 66, Dec. 2022, pp. 193-196. DOI: 10.26754/ojs_misc/mj.20226991
Laura Rodríguez Arnaiz
Rodríguez Arnaiz, Laura. "'One Nightmare Replaces Another': Trauma and Mourning in the Age of Terror through Paul Auster's 'Travels in the Scriptorium' and 'Man in the Dark'." Revista de Estudios Norteamericanos, vol. 27, 2023, pp. 19-40. DOI: 10.12795/REN.2023.i27.2
Rodríguez Arnaiz, Laura. "Entertaining the audience: A Contemporary Audio-visual Portrayal of the Detective Tale through Stevenson’s Dr. Jekyll and Mr. Hyde and CBS's CSI: Crime Scene Investigation." Revisiones posmodernas del gótico en la literatura y las artes visuales. Ediciones Universidad de Salamanca, 2022. DOI: 10.14201/0AQ0322203218
Rodríguez Arnaiz, Laura. "Dosis de tinta y color: Migración, salud y Medicina Gráfica antes y después de la Pandemia de la Covid-19". CuCo, Cuadernos de cómic, vol. 19, 2022, pp. 41-72. DOI: 10.37536/cuco.2022.19.2031
Rodríguez Arnaiz, Laura . "'Here's to the Fools who Dream': Hollywood's Illusion of the American Dream in La La Land." Revista Canaria de Estudios Ingleses, no. 84, 2022, pp. 201-209. DOI: 10.25145/j.recaesin.2022.84.14